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[Free Ebook.U5iN] Cinema of Outsiders The Rise of American Independent Film

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A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness. Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America." Movies - Saloncom Feature articles reviews and previews with a focus on independent film 1950's: Movies TV and Society A Short Bibliography of A Bibliography of Books and Articles in the UC Berkeley Libraries: This is a static page that is no longer maintained General and Miscellaneous African Americans in Film and Television: A Bibliography Movies Race & Ethnicity Videography for articles and reviews of individual films Reference Works Berry Torriano Historical dictionary of African American cinema Palace Electric Cinema Palace Cinemas Available underneath the cinema with 50% discount for Palace Electric patrons There is also paid car parking alongside Parkes Way The Video Store as Film School - The New Yorker A generation of filmmakers who cultivated their enthusiasm in video stores adopted the mantle of disreputability and outsiderness handed down by the French New Wave Free film techniques Essays and Papers - 123helpme Title Length Color Rating : Film Techniques in the Movie "Shawshank Redemption" - 'Shawshank Redemption' directed by Frank Darabont is a compelling film about the Larry Edmunds Bookshop Larry Edmunds Bookshop movie books movie posters lobby cards photographs and scripts in Hollywood California ONLINE RESOURCES LISTED BY FILM - worldonlinecinema Free online film resources for French German Spanish Latin American films Native American Documentary Films - Michigan State A compilation of Native American Documentary Films in the MSU Library Midnight movie - Wikipedia In the United States a midnight movie is a B movie or cult film shown at midnight either at a cinema or on television The practice started in the 1950s with local
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